Wednesday, July 30, 2008
Raymond Chandler's Birthday
Sunday, July 27, 2008
Why Don't You 'Go To Helena Handbasket'
Author, Donna Moore
I'd heard that GO TO HELENA HANDBASKET was side-splitting funny, but when I saw the back cover blurb describing it as "Bridget Jones meets Raymond Chandler meets Jeffrey Dahmer," well, that gave me pause. The reference to Bridget Jones almost scared me off. I'm glad it didn't.
Helena Handbasket must qualify as one of the worst detectives in fictional PI history--even her cat has a better handle on the case (a sly reference to the crime-solving cat mysteries, I think). But the story is such a great send-up of the detective/serial killer novel, that her blundering and obliviousness become part of the big joke (a touch of Stephanie Plum, if you ask me).
With a secretary/sidekick named Fifi Fofum (every character in the book has an outrageous pun for a name) who spouts hardboiled banter that sails completely over Helena's head most of the time and the requisite cop who advises her throughout to keep "her big nose" out of the investigation (giving her quite the complex about the size of her proboscis, along with the one she already had about her "arse"), the intrepid protagonist manages to survive the case (despite suffering numerous fractured bones and other ailments from various attacks--a sly reference to the seemingly indestructible hardboiled investigator, no doubt) and even catch the killer, who is revealed, true to the tradition of the genre, in a final twist at story's end.
She does all this while agonizing over her weight, what dress to wear and which of the men involved in this sordid affair could be Mr. Right (thus, the Bridget Jones reference).
I will indulge myself in my own pun when I say the story ends with a bang (or at least seems to). And you can only fully understand what I mean by reading the book. Which, by all means, you should.
Thursday, July 24, 2008
Around the World in 80 Crime Authors
Monday, July 21, 2008
Standup Teen Named Buddy Finds Himself in 'Finding Caruso'
by guest blogger Star Lawrence
Author, Kim Barnes; reader, Scott Shina
As an animal lover, I almost didn’t review this because of the horrific opening scenes. So be warned. The images will haunt, but with her seamless, beautiful writing, Barnes will pull it together. Trust.
I don’t always love coming-of-age stories, but this one is special. Buddy and Lee Hope are brothers, seven years apart in age. They grew up on a hardscrabble farm in
At 17, Buddy is sort of kicking around, not going to school, jabbering with
FINDING CARUSO is read by Scott Shina, a reader I have not heard before. He does the intonations and
This book reminded me of Hud, one of my favorite movies. Older brother Lee is a cynical womanizer like Hud, and Buddy is confused and tender like Hud’s brother.
But there are differences. Like in that movie (originally a Larry McMurtry book called HORSEMAN, PASS BY) Lee and Buddy eventually part ways, but it’s more like an inevitable drift to different agendas than a big moral lesson on “how to be” or “how to be a real man.” Buddy figures that out for himself.
Star
Friday, July 18, 2008
They Don't Shoot Horses With Eyestrain, Do They?
According to the announcement, "Booksellers are encouraged to work with their local community to get customers to participate. Participants are asked to have family and friends sponsor them to read for the full 24 hours, and prizes are then given out to the highest fundraisers. The profits are then donated to a local nonprofit of the bookstore's choice."
GalleyCat is less than thrilled about the event, characterizing it as a "gimmicky stunt" comparable to "goldfish swallowing or telephone-booth-stuffing." (And they make a good point about audiobooks.)
The cause sounds good and I love to read . . . but not that much. Sounds like less of a celebration than an ordeal (one a bit too reminiscent of cramming for finals). I wonder how many people will nod off in mid-page?
How many readers out there would really want to tackle this?
Tuesday, July 15, 2008
One Peace, Singleton 2008 Hippie Art
The Straight 'Dope' from Sara Gran
Author, Sara Gran
The best stories are the kind that linger in your mind long after you've finished them. For me, DOPE by Sara Gran was that kind of story.
Josephine "Joe" Flannigan is just the girl next door--if you happen to live in Hell's Kitchen, that is. Joe grew up there under the not-so-watchful eye of a single mother, so it was up to Joe to look after herself and her kid sister, Shelley. Both girls end up falling in with the wrong crowd and getting addicted to heroin, but pulling themselves out of "the life" in very different ways. When the story begins, it's 1950 and Joe is making a living picking pockets and "boosting" (to use the parlance of that time) jewelry and other valuables from stores. Shelley has become a successful model and aspiring actress.
When a suburban couple hires Joe to find their wayward daughter in the streets from which she came, it looks like easy money. But the investigation turns out to be a lot more complicated than she expects. And the further Joe delves into the matter, the more trouble she unwittingly creates for herself.
Apparently, this is Gran's first foray into noir writing. For my money, she gets it all just right. I love the 1950s setting (back when men wore hats and women wore gloves). There's even a mention of the Automat, which took this reader down memory lane. (Not all the way back to 1950, mind you, but I do remember Horn & Hardart.) I hope Gran will consider writing more crime fiction, especially hardboiled or noir--we can always use more female authors in that genre.